Published:  13:42 Thursday - September 01, 2016

Minh Mang Tomb is one of the most famous tombs in Hue. It is a popular place for tourists when traveling to Hue.

The constructions are distributed into three main parallel axis of which Than Dao path is the centre.

Dai Hong Mon is the main gate to enter the tomb. The gate presents three paths with 24 heaving roofs covered with beautiful decorations. The gate was opened only once to bring the Emperor's coffin to the tomb, and had been tightly closed since then. Visitors have to use the two side-gates Ta Hong Mon (Left Gate) and Huu Hong Mon (Right Gate).

Bi Dinh is behind Dai Hong Mon (big gate) is the Honour Courtyard with its two rows of mandarins, elephants and horses’ statues. Bi Dinh (Stele Pavilion) is on Mount Phung Than. Inside is the stele "Thanh Duc Than Cong", inscribed with the Emperor's biography and merits written by his son Thieu Tri.

The Salutation Court is divided into four steps - The Hien Duc Mon (gate) leads to the worship place. In the centre is Sung An Temple surrounded by Ta, Huu Phoi Dien (Left, Right Temples) in the front and Ta, Huu Tung Phong (Left, Right Rooms) in the back. The Emperor and Queen Ta Thien Nhan are worshipped in Sung An Temple. Then, Hoang Trach Mon (gate) leads to the Bright Pavilion (Minh Lau), built on Tam Tai Mount. It is a square pavilion with two storeys and eight roofs. On both sides of Minh Lau, two obelisks stand on the hills. In the back of Minh Lau are two flower gardens designed as the character "Longevity".

Tan Nguyet (New Moon) crescent Lake embraces the circular Buu Thanh (The wall surrounding the grave). There are three bridges on Tan Nguyet Lake. Visitors have to climb 33 Thanh stone steps to reach the sepulchre of the Emperor.

Besides nearly 60 word boxes of carved poems in the Stele Pavilion, Hien Duc gate, Sung An Temple, and Minh Pavilion are also remarkable and constitute an anthology of chosen poems of Vietnam’s early 19th century.

Visiting Minh Mang’s tomb, one is impressed by the majesty and symmetry of the architectural constructions.